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Many have sung “House of the Rising Sun” before Eric Burdon took it on with the Animals, and many will sing it in the future. Its psychological insight and philosophical meaning are all too relevant for this song to be anything but timeless. But it’s hard to imagine that anybody will ever again inhabit that doomed soul at the epicenter of the tale quite as well. Colombian band Los Speakers covered the song under the title "La Casa del Sol Naciente", in their 1965 album of the same name.
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Sakamura promises to bring Connor something, and Connor reluctantly lets him go after confiscating his passport. Ishihara, a Nakamoto employee whom Connor had previously interrogated, delivers the missing disc, which clearly shows Sakamura killing Cheryl. In 2014, Five Finger Death Punch released a cover version for their album The Wrong Side of Heaven and the Righteous Side of Hell, Volume 2.
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Not wanting to be seen with Sakamura, Tanaka stole his sports car and committed suicide by crashing it. Sakamura gives Connor the original disc, but before he can leave, Lt. Graham arrives with Ishihara. Sakamura is killed fighting off Ishihara's men, and Smith is shot and left for dead, surviving only thanks to a bulletproof vest. If the music sounded almost supernatural, Burdon’s vocal gave the song its terrestrial heart, one rent in two by the loaded dice and lost bets.
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Rising Sun was released on 30 July 1993 in 1,510 theaters across the US.[7] It grossed $15,195,941 (24.1% of total gross) on its opening weekend. During its run in theaters, the film grossed $63,179,523 (58.9%) in the US and $44,019,267 (41.1%) overseas for a worldwide total of $107,198,790. Nakamoto is in the midst of sensitive negotiations for the acquisition of an American semiconductor company, with Senator John Morton, a guest at the party, abruptly changing his stance on a bill that would prevent the merger from going through. Suspecting his sudden shift is somehow related to the murder, Connor and Smith attempt to interview him at his campaign office, but without success. He reveals that he was being tailed that day by Tanaka, a Nakamoto security agent attempting to locate the original disc.
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Hilton Valentine played the stoic arpeggiated guitar part that foundations the song, while Alan Price tore into the organ solo as if trying to free every tortured soul trapped in this sinister place. The song is also credited to Ronnie Gilbert on an album by the Weavers released in the late 1940s or early 1950s. Pete Seeger released a version on Folkways Records in 1958, which was re-released by Smithsonian Folkways in 2009.[16] Andy Griffith recorded the song on his 1959 album Andy Griffith Shouts the Blues and Old Timey Songs. The musicologist Alan Lomax couldn’t even pinpoint the song’s exact origin, although he found evidence that jazz musicians knew of it even before World War I. Early versions of the song had promoted the meaning that the Rising Sun was a brothel. Male singers made it “the ruin of many a poor boy,” which transformed the title establishment into a gambling den. I had learned it sometime in the 1950s, from a recording by Hally Wood, the Texas singer and collector, who had got it from an Alan Lomax field recording by a Kentucky woman named Georgia Turner.
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Bob Richmond, an American lawyer working for Nakamoto, reveals that he is the real killer and tries to run away, only to be killed by Eddie Sakamura's yakuza friends. After being interrogated, Smith is put on paid leave due to an ongoing investigation of an earlier corruption charge. Regrouping with Connor and Jingo, the three view the original surveillance footage, which shows Senator Morton performing erotic asphyxiation on Cheryl. Falsely believing he killed her, Morton changes his position on the regulation bill to stay in Nakamoto's good graces. After leaving the boardroom, the footage shows another figure approaching and killing Cheryl by strangulation.
A beautiful, comprehensive volume of Dylan’s lyrics, from the beginning of his career through the present day-with the songwriter’s edits to dozens of songs, appearing here for the first time. A song is written, and, if it’s special enough, it hangs around waiting for an artist to claim it, putting their indelible stamp on it so that all other versions are henceforth compared to that one unforgettable take. Nobody is sure who wrote “House of the Rising Sun.” But we do know that the Animals, powered by the blustery vocals of Eric Burdon, claimed it. Smith and Connor suspect Eddie Sakamura, Cheryl's boyfriend and agent of a Nakamoto rival, of killing her, and interrogate him at a house party.
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There is a house in New Orleans, it's called the Rising SunIt's been the ruin of many poor girlGreat God, and I for one.
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He tempers his performance, starting off low and with deadly serious intent to grab your attention. Famous Yugoslav singer Miodrag "Miki" Jevremović covered the song and included it in his 1964 EP "18 Žutih Ruža" (eng. "Eighteen Yellow Roses"). Hoping to draw the killer out, Connor and Smith fax Morton stills of the footage showing his involvement in the murder. Morton contacts Ishihara, revealing the executive to be in on the cover-up, and then Morton commits suicide. Connor, Smith, and Jingo interrupt the merger negotiations to show Nakamoto President Yoshida the surveillance footage.
During a commencement gala at the newly opened Los Angeles headquarters of Nakamoto, a Japanese keiretsu, call girl Cheryl Lynn Austin is found dead, apparently after a violent sexual encounter. LAPD Lieutenant Webster "Web" Smith and John Connor, a former police captain and expert on Japanese affairs, are sent to act as liaison between the Japanese executives and the investigating officer, Smith's former partner Tom Graham. During the initial investigation, Connor and Smith review surveillance camera footage, and realize that one of the discs is missing. There is a house in New Orleans / They call the Rising Sun / And it’s been the ruin of many a poor boy / And God, I know I’m one, they sing in the chorus. At the time, New Orleans businesses listed as coffee houses often also sold alcoholic beverages. Definite links to gambling or prostitution (if any) are undocumented for either of these buildings.
Dylan’s recording would later provide the basis for The Animals' 1964 version, which became a massive and iconic hit. By the time the ’60s rolled around, the folk legend Dave Van Ronk included an intense take on “House of the Rising Sun” as a steady part of his live repertoire. His young acolyte Bob Dylan largely mimicked Van Ronk’s arrangement of the song and included it on his debut album. Across the pond at around the same time, Burdon apparently heard the song from a local folk singer in England. Burdon brought it into the Animals, who electrified the song for their 1964 self-titled debut album.
In an interview for the documentary No Direction Home, Van Ronk said that he was intending to record the song and that Dylan copied his version. The Animals' version of the American folk song is considered one of the 20th century’s British pop classics. While the original version was sung in the character of a woman led into a life of degradation, the Animals' version is told from the view of a young man who follows his father into alcoholism and gambling ruin. He learned this arrangement from Dave Van Ronk, a friend and mentor, who had re-worked the song from a recording by musicologist Hally Wood.
